A<\/p>\n
Giuseppe Valadier (?), Table clock with Egyptian atlases; on the crown, sphinxes, cupids and Minerva; on the base, relief with the chariot of Apollo<\/em>, c. 1780-5, graphite, grey and yellow wash on paper, 225 x 170 mm., numbered upper left: \u201c13\u201d.<\/p>\n Bibliography<\/em>: Leone 2019a, p. 82.<\/p>\n B<\/p>\n Giuseppe Valadier, Table clock with female figures; on the crown, doves in a basket; on the base, griffins and theatrical masks<\/em>, c. 1780-5, graphite, grey, red and yellow wash on paper, 210 x 145 mm., inscription in pen on the clock from top to bottom referring to the legend below: \u201c1\u201d; \u201c1\u201d; \u201c2\u201d; \u201c1\u201d; inscription in pen bottom centre: \u201caltra Cassa Senza \/ Movimento s.i 28 – \/ ultimo pezzo\u201d; inscription in pen bottom right: \u201c1 Marmo bianco \/ 2 Rosso d\u2019Egitto \/ Il resto ormolu\u201d.<\/p>\n Two figures very similar to the allegorical female figures on each side of the clock case are also found on a table clock designed by Luigi Valadier for Cardinal Henry Benedict Stuart, Duke of York, in the first half of the 1780s (Oxford, Ashmolean Museum).<\/p>\n Bibliography<\/em>: Gonz\u00e1lez-Palacios 1993a, II, p. 200, fig. 373; Leone 2019a, p. 82.<\/p>\n C<\/p>\n Giuseppe Valadier, Table clock with canephorae; on the crown, an amphora with putti draped on either side; on the base, lionesses crouching<\/em>, c. 1785-90, graphite, pen, grey ink, brown ink, yellow, grey, dark grey and dark red wash on paper, 190 x 125 mm.<\/p>\n Bibliography<\/em>: Gonz\u00e1lez-Palacios 2018, p. 244, fig. 5_36; Leone 2019a, p. 82; Valadier. Segno e architettura 1985, pp. 397, 400, cat. 564.<\/p>\n D<\/p>\n Workshop of Giuseppe Valadier, Table clock and two candlesticks<\/em>, c. 1785-90, graphite, pen, grey ink, brown and grey wash on paper, 135 x 230 mm.; it bears the Roman palm scale in the lower margin.<\/p>\n Bibliography<\/em>: Gonz\u00e1lez-Palacios 2018, p. 239, fig. 5_31; Leone 2019a, p. 82.<\/p>\n E<\/p>\n Giuseppe Valadier (?), Table clock in the shape of a stepped temple with a mixtilinear base; main body with Corinthian pilasters; on the crown, the chariot of Apollo amid muses surrounded by sphinxes in the lower register<\/em>, 1780-5, graphite, grey and yellow wash on paper, 205 x 140 mm. This is the same model with a number of variations as that illustrated in drawing B on sht. 20<\/p>\n Bibliography<\/em>: Leone 2019a, p. 82.<\/p>\n F<\/p>\n Workshop of Giuseppe Valadier, Table clock in Egyptian rosso antico marble and ormolu with canephorae and winged putti in ormolu<\/em>, c. 1785-90, graphite, dark red, yellow and brown wash on paper, 125 x 85 mm.<\/p>\n Bibliography<\/em>: Leone 2019a, p. 82.<\/p>\n G<\/p>\n Workshop of Giuseppe Valadier, Table clock in the shape of a bell-tower with pinnacle<\/em>, c. 1810, graphite, red, yellow and brown wash on paper, 200 x 150 mm.<\/p>\n Bibliography<\/em>: Leone 2019a, p. 82.<\/p>\n H<\/p>\n Giuseppe Valadier (?), Octagonal table clock with caryatids and atlases on a corbel; upper element in the shape of a bell-tower with pinnacle<\/em>, c. 1790, graphite, pen, brown ink, grey wash on paper, 275 x 125 mm.<\/p>\n Bibliography<\/em>: Leone 2019a, p. 82; Valeriani 1991-2, p. 110, fig. 6.<\/p>\n I<\/p>\n Workshop of Giuseppe Valadier, Table clock in Egyptian rosso antico marble and ormolu; sphinxes on the base and winged genies on either side of the case; at the top, Apollo with the Zodiac belt<\/em>, c. 1785-90, graphite, dark red, yellow, brown and grey wash on paper, 125 x 85 mm.<\/p>\n Bibliography<\/em>: Leone 2019a, p. 82.<\/p>\n","protected":false},"featured_media":5764,"template":"","tag-opera":[100],"tecnica":[],"class_list":["post-6875","opera","type-opera","status-publish","has-post-thumbnail","hentry","tag-opera-foglio-valadier"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/opera\/6875","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/opera"}],"about":[{"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/types\/opera"}],"version-history":[{"count":6,"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/opera\/6875\/revisions"}],"predecessor-version":[{"id":7894,"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/opera\/6875\/revisions\/7894"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/media\/5764"}],"wp:attachment":[{"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/media?parent=6875"}],"wp:term":[{"taxonomy":"tag-opera","embeddable":true,"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/tag-opera?post=6875"},{"taxonomy":"tecnica","embeddable":true,"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/tecnica?post=6875"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}