{"id":4115,"date":"2024-05-31T13:08:05","date_gmt":"2024-05-31T11:08:05","guid":{"rendered":"https:\/\/www.pinacotecafaenza.it\/?post_type=opera&p=4115"},"modified":"2025-08-11T10:38:54","modified_gmt":"2025-08-11T08:38:54","slug":"4115","status":"publish","type":"opera","link":"https:\/\/www.pinacotecafaenza.it\/en\/opera\/4115\/","title":{"rendered":"Polyptych with the Coronation of the Virgin, an Imago Pietatis, St. Perpetua and the Annunciation"},"content":{"rendered":"

The composition of the fresco is designed to imitate a polyptych, with the Imago Pietatis<\/em>\u00a0and the Annunciation<\/em> in the pinnacles and the Coronation of the Virgin<\/em> and St. Perpetua<\/em> (a martyr who was tortured by being thrown to wild beasts in the amphitheatre in Carthage in the 3rd century AD) in the main register. The position of honour occupied by the saint, beside the Virgin and Christ, is due to the fact that the fresco comes from the abbey church of Sts. Felicita and Perpetua.<\/p>\n

The fresco was painted some time between 1439 when the painter returned from Forl\u00ec, and 1444 when the canons were residing in their recently completed church. The style of the mural, which echoes a frescoed polyptych painted by Jacopo di Paolo in the church of San Francesco in Faenza, betrays the influence of Bitino da Faenza and Giovanni da Riolo, with whom Guglielmo di Guido del Peruccino was closely associated.<\/p>\n","protected":false},"featured_media":4105,"template":"","tag-opera":[],"tecnica":[93],"class_list":["post-4115","opera","type-opera","status-publish","has-post-thumbnail","hentry","tecnica-fresco"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/opera\/4115","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/opera"}],"about":[{"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/types\/opera"}],"version-history":[{"count":1,"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/opera\/4115\/revisions"}],"predecessor-version":[{"id":7484,"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/opera\/4115\/revisions\/7484"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/media\/4105"}],"wp:attachment":[{"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/media?parent=4115"}],"wp:term":[{"taxonomy":"tag-opera","embeddable":true,"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/tag-opera?post=4115"},{"taxonomy":"tecnica","embeddable":true,"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/tecnica?post=4115"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}