{"id":2841,"date":"2024-02-02T11:32:06","date_gmt":"2024-02-02T10:32:06","guid":{"rendered":"https:\/\/www.pinacotecafaenza.it\/?post_type=opera&#038;p=2841"},"modified":"2025-08-11T11:39:39","modified_gmt":"2025-08-11T09:39:39","slug":"young-st-john-the-baptist","status":"publish","type":"opera","link":"https:\/\/www.pinacotecafaenza.it\/en\/opera\/young-st-john-the-baptist\/","title":{"rendered":"The Young St. John the Baptist"},"content":{"rendered":"<p>This bust of St. John, portraying him as a boy in accordance with an iconographic type that was extremely popular in 15th century Florence, belonged to Fra\u2019 Sabba da Castiglione (Milan c. 1480 \u2013 Faenza 1554), a collector and man of letters who lived in Faenza and furnished his private study with this and other important works of art, some of which are now on display in the Pinacoteca. An old tradition assigned the bust to Donatello, whereas its attribution now vacillates between the great Florentine sculptors of the second half of the 15th century: Desiderio da Settignano, Antonio Rossellino and Benedetto da Maiano. The latter\u2019s style is reflected in the \u201cluminous vibration of the cheeks\u201d and the curls whose \u201cthickness rests in full yet vibrant forms\u201d (Ferretti 2011, p. 115-116). The echo of the faces of the angels that Desiderio da Settignano carved on the <em>Marsuppini Tomb<\/em> (Florence, Santa Croce) may have been mediated through the presence of terracotta models customarily used in artists\u2019 workshops.<\/p>\n","protected":false},"featured_media":2493,"template":"","tag-opera":[],"tecnica":[65],"class_list":["post-2841","opera","type-opera","status-publish","has-post-thumbnail","hentry","tecnica-marble"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/opera\/2841","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/opera"}],"about":[{"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/types\/opera"}],"version-history":[{"count":2,"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/opera\/2841\/revisions"}],"predecessor-version":[{"id":7510,"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/opera\/2841\/revisions\/7510"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/media\/2493"}],"wp:attachment":[{"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/media?parent=2841"}],"wp:term":[{"taxonomy":"tag-opera","embeddable":true,"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/tag-opera?post=2841"},{"taxonomy":"tecnica","embeddable":true,"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/tecnica?post=2841"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}