{"id":2820,"date":"2024-03-21T22:00:10","date_gmt":"2024-03-21T21:00:10","guid":{"rendered":"https:\/\/www.pinacotecafaenza.it\/?post_type=opera&#038;p=2820"},"modified":"2024-10-17T15:36:06","modified_gmt":"2024-10-17T13:36:06","slug":"crucifixion-and-ascension-of-st-john-the-evangelist","status":"publish","type":"opera","link":"https:\/\/www.pinacotecafaenza.it\/en\/opera\/crucifixion-and-ascension-of-st-john-the-evangelist\/","title":{"rendered":"Crucifixion and Ascension of St. John the Evangelist"},"content":{"rendered":"<p>Edward Garrison was the first to coin the name \u201cMaster of Faenza\u201d in 1949 precisely on the strength of this small panel in the Pinacoteca. Painted on two superimposed registers, the panel depicts the <em>Crucifixion<\/em> with St. Peter in the upper register and the <em>Ascension of St. John the Evangelist<\/em> in the lower. The latter episode is taken from an apocryphal gnostic text known as the <em>Acts of John<\/em>, although cholars have often mistaken it for <em>Christ\u2019s Descent into Limbo<\/em>. The scene actually portrays the moment in which St. John the Evangelist prays to Christ that he receive him in heaven, after asking two men to dig him the grave into which he has had himself lowered.<\/p>\n<p>Most of the attributions assigned to this artist working at the turn of the 13th century are generic and invariably tend to focus on his Emilia-Romagna origin and on the closeness of his style to that of the illuminations then being produced in Bologna.<\/p>\n","protected":false},"featured_media":2731,"template":"","tag-opera":[],"tecnica":[59],"class_list":["post-2820","opera","type-opera","status-publish","has-post-thumbnail","hentry","tecnica-tempera-on-wood"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/opera\/2820","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/opera"}],"about":[{"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/types\/opera"}],"version-history":[{"count":0,"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/opera\/2820\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/media\/2731"}],"wp:attachment":[{"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/media?parent=2820"}],"wp:term":[{"taxonomy":"tag-opera","embeddable":true,"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/tag-opera?post=2820"},{"taxonomy":"tecnica","embeddable":true,"href":"https:\/\/www.pinacotecafaenza.it\/en\/wp-json\/wp\/v2\/tecnica?post=2820"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}